Wacky Hava 3 is a light, very wide, very high contrast, upright, tall x-height font.
Keywords: headlines, posters, logotypes, packaging, album covers, futuristic, playful, techy, quirky, experimental, standout display, retro sci-fi, graphic texture, decorative branding, rounded corners, inline stroke, outline, cut-in terminals, monoline.
A geometric, outline-driven display face built from slender strokes with rounded-rectangle construction and frequent open counters. Many glyphs combine a continuous outer outline with selective filled wedges or cut-in notches that create a shifting rhythm across the alphabet. Curves are squared-off and corners are softened, producing a capsule-like profile; joins stay clean and mostly orthogonal, with occasional tapered intrusions that add sharp contrast accents. Spacing and widths vary noticeably by letter, and the overall texture reads airy yet busy because of the mix of open shapes, interior breaks, and asymmetrical black inserts.
Best suited to short, high-impact settings such as headlines, poster titles, event graphics, and distinctive wordmarks where the irregular detailing can be appreciated. It can also work for packaging and entertainment-oriented branding that benefits from a quirky, techno-decorative flavor. For body copy, it is more effective in brief phrases or large-size treatments than in dense paragraphs.
The tone feels like retro-futurist signage with a mischievous, offbeat edge—part sci‑fi interface, part toy-like experimentation. Its unusual interior cuts and alternating outline/solid moments give it a kinetic, eccentric personality that reads more expressive than neutral.
The design appears intended as an experimental display font that explores a modular rounded-rectangle skeleton, using interior cuts and occasional fills to create personality and motion. It prioritizes visual character and novelty over quiet readability, aiming to stand out in graphic, attention-led applications.
Text samples show that the distinctive notches and occasional filled areas become more prominent at larger sizes, while long passages can appear visually jittery due to the varying internal details and inconsistent glyph widths. Numerals echo the same rounded-rect geometry and selective fill behavior, keeping the set stylistically unified.