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Free for Commercial Use

Slab Contrasted Agvi 5 is a regular weight, very wide, medium contrast, italic, normal x-height font visually similar to 'Macahe' by Rômulo Gobira (names referenced only for comparison).

Keywords: display, posters, headlines, packaging, book covers, medieval, hand-cut, storybook, rustic, dramatic, historical flavor, handmade feel, dramatic display, rustic branding, lively texture, slab serif, angular, faceted, chiseled, calligraphic.


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A slanted, slab‑serif design with faceted, angular contours and a distinctly hand-cut rhythm. Strokes show noticeable thick–thin modulation, with weighty, block-like serifs and many terminals ending in sharp, chamfered corners rather than smooth curves. Proportions run generously wide, and the spacing feels lively and uneven in an intentional way, with letterforms built from brisk diagonals and polygonal bowls. The italic structure is pronounced, giving lines a forward pull while maintaining sturdy vertical presence through the heavy slabs.

Best suited to display settings where its angular detailing and bold slab terminals can be appreciated—posters, titles, packaging, signage, and book or game-cover typography. In longer paragraphs it remains readable at moderate sizes, but the lively, chiseled texture makes it most effective for short-to-medium runs and emphatic typographic moments.

The overall tone feels medieval and craft-driven, like inked lettering carved from wood or stone and then set in motion with an italic slant. It reads as theatrical and slightly rugged—more “storybook or tavern sign” than modern editorial—projecting a historical, adventurous mood with a hint of whimsy.

The design appears intended to blend the firmness of slab serifs with a stylized, hand-rendered italic voice, creating a historicized display face that feels carved, energetic, and characterful. Its wide stance and faceted construction prioritize personality and atmosphere over neutral text uniformity.

Round letters (like O and Q) appear more octagonal than circular, reinforcing the cut-by-hand aesthetic. Numerals follow the same angular logic and heavy-footed serifing, helping headings and short callouts feel cohesive across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸