Sans Normal Arleg 8 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'BR Candor' by Brink, 'Hando' by Eko Bimantara, 'Malnor Sans' by Sikifonts, 'Arbeit' and 'Few Grotesk' by Studio Few, and 'Clobber Grotesk' by Wordshape (names referenced only for comparison).
Keywords: ui text, product design, wayfinding, editorial, presentations, clean, modern, neutral, friendly, technical, legibility, versatility, neutrality, clarity, accessibility, open apertures, rounded, geometric, even rhythm, crisp.
A clean sans with largely circular and elliptical construction, even stroke color, and rounded corners that keep the texture smooth. Proportions are relatively broad, with generous counters and open apertures that help maintain clarity at text sizes. Curves are steady and consistent, while joins and terminals read as straightforward and unembellished, producing a calm, even rhythm across mixed-case setting.
This font fits interface typography, product and brand systems, and general-purpose editorial layouts where a steady, unobtrusive sans is needed. Its open forms and broad proportions also suit signage and instructional or informational materials, and it remains legible in larger blocks of text for reports and presentations.
The overall tone is modern and matter-of-fact, with a slight friendliness coming from the rounded shaping and open forms. It feels functional and contemporary rather than expressive, suited to designs that prioritize clarity and approachability without drawing attention to the type itself.
The design appears intended as a versatile, contemporary sans focused on legibility and visual neutrality. Its rounded geometric foundations and consistent stroke behavior suggest an aim for dependable performance across headings and text while maintaining a friendly, accessible feel.
The numerals follow the same rounded, open approach as the letters, supporting consistent color in UI and informational settings. The sample text shows stable spacing and a uniform texture, with clear differentiation between similar shapes (like O/0 and I/l) supported primarily by proportion and form rather than contrast.