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Free for Commercial Use

Print Taky 1 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Romper', 'Skate', and 'Timeout' by DearType; 'Higakles' by Edignwn Type; 'Goodrich' by Hendra Pratama; and 'Tolyer' by Typesketchbook (names referenced only for comparison).

Keywords: posters, packaging, kids, headlines, stickers, playful, friendly, whimsical, bouncy, casual, approachability, fun branding, hand-drawn feel, headline impact, casual tone, rounded, chunky, soft terminals, monoline, cartoonish.


Free for commercial use
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A chunky, rounded display face with a hand-drawn, monoline feel. Strokes are thick and smooth with soft, blunted terminals and gently swollen curves that create a buoyant rhythm. Proportions are compact with slightly irregular widths and spacing, reinforcing an informal, drawn-by-hand consistency rather than geometric precision. Counters are relatively tight (notably in a/e/o/p), and many forms lean on simplified construction—single-storey a and g, a straightforward i with a round dot, and a broad, padded silhouette across capitals and lowercase.

Best suited for short text at display sizes—posters, packaging, labels, stickers, and social graphics—where a friendly, informal voice is needed. It works particularly well for children’s themes, playful branding, and cheerful event or food-related signage, but is less ideal for dense body copy due to the bold mass and compact counters.

The overall tone is cheerful and approachable, with a cartoon-like warmth that reads as playful rather than formal. The soft edges and bouncy shapes give it a lighthearted, kid-friendly character suitable for upbeat messaging.

The design appears intended to mimic confident marker or brush lettering with a clean, digitized finish: informal, highly legible at headline scale, and expressive through rounded terminals and gently uneven proportions. Its consistent weight and simplified letterforms suggest an emphasis on approachable personality over typographic strictness.

At smaller sizes the heavy strokes and tight counters can reduce clarity, while at medium-to-large sizes the distinctive rounded shapes and casual irregularities become a strong stylistic asset. Numerals match the same padded, hand-rendered language, keeping headings and short callouts visually consistent.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸