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Free for Commercial Use

Sans Rounded Aldot 5 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Festivo Letters' by Ahmet Altun, 'Alternate Gothic Pro Antique' by Elsner+Flake, 'Nestor' by Fincker Font Cuisine, 'Alternate Gothic' by Linotype, 'Alternate Gothic Pro' by SoftMaker, and 'Vinyl' by T-26 (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, friendly, playful, casual, approachable, retro, warmth, impact, simplicity, approachability, soft, rounded, chunky, compact, bouncy.


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This typeface presents a compact, heavy sans structure with consistently rounded terminals and softened corners throughout. Strokes stay even and solid, with minimal modulation, creating a smooth, rubbery silhouette. Proportions are relatively condensed with tight interior counters, and the lowercase shows a single-storey “a” and “g” that reinforce an informal, simplified construction. The overall rhythm feels lively due to subtly irregular curves and a slightly buoyant baseline presence, while still maintaining clear, sturdy letterforms.

Best suited for short-to-medium text where personality and impact matter: headlines, posters, logos, packaging, and friendly signage. It can also work for subheads or UI labels when a warm, rounded voice is desired, though the tight counters and heavy texture favor larger sizes for maximum clarity.

The rounded, chunky shapes give the font a warm, lighthearted tone that feels friendly and unpretentious. Its condensed heft reads as energetic and attention-getting, suggesting a playful, mid-century-to-retro sensibility without becoming decorative or novelty-driven.

The design intention appears to be a personable, high-impact sans that stays simple and readable while leaning on rounded terminals and compact proportions for charm. It aims to balance bold presence with softness, making it suitable for upbeat branding and display typography.

Curved joins and terminal shaping are a defining feature, especially in letters like C/S and the bowls of B/P/R. The figures appear straightforward and robust, matching the alphabet’s soft geometry and maintaining consistent color in text settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸