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Free for Commercial Use

Bubble Egla 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Fraiche' by Adam Fathony, 'Knicknack' by Great Scott, and 'Morl' by Typesketchbook (names referenced only for comparison).

Keywords: kids branding, party invites, snacks packaging, comic headings, posters, playful, cheerful, goofy, kid-friendly, cartoony, friendly impact, playful branding, cartoon voice, soft emphasis, rounded, soft, blobby, puffy, bouncy.


Free for commercial use
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A heavily rounded, inflated display face with thick, monolinear strokes and a distinctly “puffed” silhouette. Letterforms are built from soft, bulb-like joins and terminals, with gently uneven curves that create a hand-shaped, organic rhythm. Counters are small and often circular or teardrop-like, and several forms show casual asymmetry (for example in bowls and shoulders), reinforcing an irregular, bubbly texture. Overall spacing feels open and friendly, with compact internal whitespace and a sturdy, sticker-like mass on the page.

Best suited to short, high-impact text such as headings, logos, packaging callouts, and promotional posters where a friendly, cartoon voice is needed. It can work well for children’s materials, casual entertainment branding, and playful product labels; for longer passages, generous size and leading will help preserve clarity given the small counters and heavy shapes.

The font reads as lighthearted and comedic, with a toy-like warmth that feels approachable and non-serious. Its soft swelling shapes and slightly wobbly construction suggest fun, spontaneity, and an upbeat tone suited to playful messaging.

This design appears intended to deliver an unmistakably bubbly, humorous presence through inflated forms, rounded terminals, and intentionally imperfect curves. The goal is visual charm and personality rather than typographic restraint, prioritizing a soft, approachable look that reads quickly at display sizes.

Uppercase and lowercase share the same rounded DNA, with simplified structures and minimal sharp angles throughout. The numerals match the inflated style, maintaining consistent stroke weight and soft corners, which helps mixed alphanumeric settings feel cohesive.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸