Sans Normal Ohraw 5 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Aeroport' by Brownfox, 'Gorva' by Dasukreation, 'Neubaufra' by Inhouse Type, and 'Monni' by Matt Chansky (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, modern, friendly, clean, punchy, impact, clarity, modern branding, geometric simplicity, display legibility, geometric, rounded, high-contrast counters, open apertures, short ascenders.
A heavy, geometric sans with broad proportions and a steady, uniform stroke. Curves are built from near-circular bowls and smooth joins, while terminals are mostly straight-cut, giving the design a crisp, engineered finish. Counters in letters like O, B, and 8 are generous and cleanly shaped, and apertures such as in C and S stay relatively open for clarity. Lowercase forms are compact with short ascenders and sturdy stems, and the numerals are wide and strongly blocky with clear interior openings.
Best suited for display settings where impact and legibility are priorities, such as headlines, posters, brand marks, packaging panels, and wayfinding. Its wide stance and large counters help it hold up in short-to-medium bursts of text, especially at larger sizes where the geometric details read cleanly.
The overall tone is bold and approachable, projecting a modern, no-nonsense voice with a friendly geometric warmth. It feels contemporary and confident, designed to read as straightforward and dependable rather than expressive or calligraphic.
The design appears intended to deliver a contemporary geometric look with strong presence and straightforward readability. It aims for a versatile, brand-friendly voice that stays clean and structured while remaining approachable through rounded forms and open counters.
The rhythm is driven by consistent stroke weight and rounded geometry, producing an even color at larger sizes. The wide set and large counters make the shapes feel airy despite the heavy weight, and the squarer, more architectural diagonals (e.g., in V/W/X/Y) reinforce a strong, graphic presence.