Sans Superellipse Juda 1 is a very bold, narrow, high contrast, italic, normal x-height font visually similar to 'Rice' by Font Kitchen, 'Odradeck' by Harvester Type, 'Fixture' by Sudtipos, and 'Crossfit' and 'Crossfit Core' by TypeThis!Studio (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logotypes, sporty, urgent, industrial, retro, impact, speed, space saving, branding, slanted, condensed, blocky, streamlined, punchy.
A heavy, forward-leaning sans with compact proportions and tightly controlled counters. Forms are built from rounded-rectangle geometry, with smooth corners and a slightly squared feel in curves, producing a sturdy, engineered silhouette. Strokes show sharp diagonal terminals and occasional wedge-like cuts, creating crisp highlights and a strong left-to-right rhythm. Spacing is tight and the overall texture is dense, with clear, high-impact numerals and letterforms that hold their shape at large sizes.
Best suited to headlines, posters, sports and fitness branding, and high-impact packaging where dense, condensed letterforms are an advantage. It also works well for logotypes and short phrases that benefit from a strong forward motion; for long text, its tight spacing and heavy color are more appropriate at larger sizes.
The tone is fast, assertive, and performance-driven, evoking motorsport, athletic branding, and bold editorial callouts. Its slant and compact mass communicate motion and urgency, while the rounded-rect construction keeps the look modern and controlled rather than rough or hand-made.
The design appears intended to deliver maximum impact in minimal horizontal space while projecting speed and strength. The rounded-rectangle skeleton and sharp terminals suggest a deliberate blend of modern industrial geometry with energetic, display-first emphasis.
Round letters like O/Q and lowercases such as a/e/g are notably superelliptical, balancing softness at the corners with firm, vertical sides. The set maintains a consistent oblique stance across capitals, lowercase, and numerals, giving long lines a continuous, racing-stripe flow.