Sans Faceted Lilo 6 is a regular weight, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, gaming ui, tech branding, techno, futuristic, angular, industrial, digital, modernize forms, add edge, systemize geometry, signal tech, faceted, octagonal, monoline, geometric, crisp.
This typeface is built from straight strokes and clipped corners, replacing curves with multi-sided facets that read as octagonal and chamfered forms. Strokes are even and monoline in feel, with crisp terminals and frequent 45° cuts that create a consistent, engineered rhythm across caps, lowercase, and numerals. The proportions feel open and slightly extended, with generous counters in letters like O, D, and P and strong, flat horizontals in E and F. Lowercase forms echo the same faceting logic (notably a, e, o, and g), while digits keep the same planar geometry for a cohesive alphanumeric texture.
It performs best where its faceted construction can be appreciated: headlines, short phrases, posters, and brand marks for technology-forward themes. The crisp, planar shapes also suit interface accents such as gaming HUD elements, dashboard labels, and product packaging callouts where a futuristic tone is desired.
The overall tone is technical and futuristic, evoking digital hardware, sci‑fi interfaces, and industrial labeling. Its sharp geometry and cut-corner construction give it a precise, machined personality that feels modern and synthetic rather than humanist or calligraphic.
The design intention appears to be a geometric sans that translates curved glyph logic into a consistent system of straight segments and chamfers. By enforcing a repeated faceting rule across the character set, it aims to deliver a coherent, machine-made voice suited to modern, tech-centric visual identities.
Diagonal joins and chamfered corners are used as a unifying motif, producing a distinctive sparkle at larger sizes and a clean grid-like presence in all-caps settings. Some characters use simplified, architectural shapes (e.g., the octagonal O/0 family and angular S), which reinforces the display-oriented, constructed aesthetic.