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Free for Commercial Use

Solid Emku 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'BAQ Rounded' by HyperFluro, 'Frankfurter' by ITC, 'Space Time' by Lauren Ashpole, 'Frankfurter SB' by Scangraphic Digital Type Collection, and 'Boulder' by Umka Type (names referenced only for comparison).

Keywords: posters, headlines, kids branding, stickers, packaging, playful, puffy, cartoon, cheerful, chunky, grab attention, look friendly, feel handmade, emphasize silhouette, rounded, blobby, soft, bubbly, tactile.


Free for commercial use
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A heavy, rounded display face built from swollen, blob-like strokes with fully softened terminals and corners. Counters are largely closed or reduced to tiny punctures, creating solid silhouettes and emphasizing mass over internal detail. The forms have an irregular, hand-molded quality with subtle asymmetries and pinched joins that keep the rhythm lively; wide bowls and thick joins dominate, and spacing is generous to prevent the shapes from merging at text sizes.

Best suited for short, high-impact settings like posters, headlines, product packaging, stickers, and playful branding where a bold silhouette can do the work. It can also support logotypes and display lockups, especially in contexts aimed at children, entertainment, or casual food and retail.

The overall tone is friendly and comedic, with a toy-like, squeezable feel that reads as informal and approachable. Its closed interiors and oversized shapes lean into a bold, attention-grabbing personality suited to lighthearted messaging rather than seriousness or restraint.

The design appears intended to maximize visual punch through solid, rounded silhouettes and near-closed counters, creating a distinctive novelty texture. It prioritizes warmth and immediacy over fine detail, aiming for a recognizable, cartoon-like voice that remains legible in short bursts.

Round dots on i/j and simplified punctuation reinforce the chunky texture, while several characters rely on distinctive silhouettes (rather than counter shapes) for recognition. The design holds together best when allowed ample size and breathing room, where the soft contours and quirky modulation are most apparent.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸