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Free for Commercial Use

Groovy Ulbu 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Rhode' by Font Bureau, 'Gallinari' by Jehoo Creative, 'Cuanky' by Kereatype, 'Mreyboll' by Twinletter, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, album covers, playful, retro, goofy, friendly, bubbly, attention grabbing, retro flair, whimsy, display impact, rounded, blobby, wavy, soft, chunky.


Free for commercial use
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This typeface uses heavy, compact letterforms built from soft, rounded masses with subtly uneven edges. Strokes stay broadly consistent in thickness, but terminals and joins swell and taper organically, creating a gently wavy rhythm rather than strict geometry. Counters are small and rounded, and many letters show a slight hand-drawn wobble that keeps the silhouette lively and irregular while remaining clearly legible. The overall texture is dense and dark, with a bouncy baseline feel in text settings.

Best suited to display applications where personality is the goal: posters, event graphics, playful branding, packaging, and album or entertainment-oriented artwork. It can work for short bursts of text (taglines, pull quotes) when ample size and spacing are available, but it will be most effective as a headline or logo-style voice.

The tone is upbeat and mischievous, with a throwback, cartoon-like warmth. Its blobby curves and quirky irregularities evoke a lighthearted, psychedelic-era poster sensibility that feels fun rather than formal. The font reads as approachable and humorous, designed to catch the eye and set a carefree mood.

The design intention appears to be creating a bold, attention-grabbing display face with an intentionally irregular, groovy softness. By prioritizing chunky silhouettes, rounded counters, and a hand-shaped wobble, it aims to deliver retro character and instant visual impact over strict typographic neutrality.

Uppercase and lowercase share the same soft, swollen construction, creating strong stylistic cohesion across headings and display lines. Numerals match the rounded, chunky color and maintain clear differentiation despite tight counters and heavy fills. In longer lines, the lively edge behavior adds personality, but the dense black weight can quickly dominate a layout if overused.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸