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Free for Commercial Use

Inline Pope 2 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Billboard' by Fenotype, 'Knicknack' by Great Scott, and 'MC Inkoil' by Maulana Creative (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids media, logo marks, playful, cartoon, retro, bouncy, chunky, attention grab, friendly branding, dimensional look, novelty display, retro flavor, rounded, puffy, soft corners, bulbous, ink-trap hints.


Free for commercial use
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A chunky, rounded display face built from inflated, blobby forms with soft corners and minimal straight geometry. The letterforms are predominantly monoline in feel but gain pronounced internal detailing through a thin inline highlight that snakes through the strokes, creating a carved, glossy look. Counters are generous and circular where applicable, terminals are heavily rounded, and joins often swell into pillowy junctions that give the alphabet a buoyant rhythm. Overall spacing reads compact and headline-friendly, with consistent stroke mass and a lively, slightly irregular interior line that adds texture without breaking legibility.

Best suited to short, high-impact settings such as posters, titles, and promotional headlines where the bold silhouettes and inline sheen can read clearly. It also fits playful branding, packaging, and kids-oriented materials, and can work for logo marks or badges where a friendly, dimensional display look is desired.

The font projects a lighthearted, comic tone—more gummy and toy-like than formal—suggesting fun, friendliness, and a touch of retro signage. The inline treatment evokes shine and dimensionality, giving the letters a playful, candy-coated presence suited to energetic, upbeat messaging.

The design appears intended to deliver maximum visual charm at display sizes by combining puffy, rounded silhouettes with an engraved inline highlight that implies gloss and depth. It prioritizes a fun, approachable personality and strong word-shape recognition over neutral text-setting restraint.

Uppercase and lowercase share the same inflated construction, keeping a cohesive voice across cases. The inline highlight varies subtly in placement and curvature, which enhances the hand-drawn, whimsical character while still maintaining clear silhouettes. Numerals match the same rounded, bubble-like build, supporting consistent typographic color in mixed settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸