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Free for Commercial Use

Serif Forked/Spurred Sesa 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Ciutadella' by Emtype Foundry, 'Billboard' by Fenotype, 'Genesee JNL' by Jeff Levine, 'Bourton' by Kimmy Design, 'Golden Record' by Mans Greback, 'Hype Vol 1' by Positype, 'Interlaken' by ROHH, and 'Kommon Grotesk' by TypeK (names referenced only for comparison).

Keywords: posters, headlines, signage, logotypes, packaging, victorian, circus, western, playful, retro, display impact, vintage flair, decorative readability, poster style, ornate, spurred, bracketed, compact, robust.


Free for commercial use
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A dense, heavy serif with compact proportions and emphatic, sculpted terminals. Stems are thick and steady with minimal contrast, while the serifs and ends flare into forked/spurred shapes that create a carved, poster-like silhouette. Curves are generous and rounded, counters are relatively small, and joins feel blunt and sturdy, giving the letterforms a solid, blocky rhythm. Numerals and capitals maintain the same chunky presence, with distinctive decorative feet and notched details that read clearly at display sizes.

Best suited to display typography where its heavy color and ornate terminals can read cleanly—posters, headlines, event promotions, storefront or menu signage, and identity work that wants a vintage or theatrical voice. It can also work for short pull quotes or labels where a bold, decorative serif is desired.

The overall tone is vintage and showmanlike, evoking 19th‑century posters, saloon signage, and carnival or theater bills. Its ornamental spurs add swagger and charm, balancing ruggedness with a slightly whimsical, attention-grabbing attitude.

The letterforms appear designed to maximize visual impact and personality through stout construction and distinctive spurred terminals, aiming for a classic poster aesthetic that remains readable while feeling decorative and expressive.

The design’s strong black mass and decorative terminals can make spacing feel tight in longer settings, but it delivers high impact in short bursts. The forked details are consistent across uppercase, lowercase, and figures, giving headlines a cohesive, branded texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸