Sans Faceted Humel 7 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: posters, headlines, logotypes, game ui, sci‑fi titles, futuristic, techno, cryptic, geometric, edgy, thematic display, sci‑fi aesthetic, constructed geometry, encoded tone, angular, faceted, polygonal, linear, runic.
A sharply angular display face built from straight, monoline strokes and faceted corners, with curves consistently replaced by diagonals and short chamfers. The geometry leans on triangular counters and clipped terminals, producing a segmented, wireframe feel across caps and lowercase alike. Proportions are slightly condensed in many glyphs, with tall verticals and narrow internal space; spacing and widths vary by letter, creating a distinctive, uneven rhythm that reads as intentional stylization rather than text-normal regularity. Numerals follow the same hard-edged construction, often resembling folded forms rather than conventional rounded figures.
Best suited for display applications where its faceted construction can be appreciated: sci‑fi or techno posters, game titles and UI labels, album/film titles, event graphics, and branding marks that want an encoded or futuristic voice. It can also work for short navigational labels or package callouts when set with generous size and spacing.
The overall tone is futuristic and coded, evoking sci‑fi interfaces, cyberpunk signage, and esoteric or runic lettering. Its crisp angles and sparse strokes feel technical and slightly ominous, lending a stealthy, encrypted character to headlines and short statements.
The design appears intended to translate a sans skeleton into a faceted, straight-segment system that replaces curves with planar angles, prioritizing a distinctive techno/runic impression over conventional text readability. Consistent monoline construction and repeated diagonal motifs suggest a deliberate “constructed alphabet” aesthetic for themed display work.
Legibility is highest at larger sizes where the triangular joins and diagonal substitutions are clear; at smaller sizes, similar silhouettes (notably among angular letters and some numerals) can visually converge. The design’s consistent use of clipped terminals and diagonal bracing gives it strong stylistic cohesion, especially in all-caps settings and short words.