Sans Normal Nuboj 15 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Seitu' by FSD, 'Noah' by Fontfabric, 'Averta PE' and 'Averta Standard PE' by Intelligent Design, and 'Calima' by JCFonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, playful, bold, approachable, youthful, impact, approachability, modernity, simplicity, legibility, rounded, soft corners, chunky, compact, high impact.
This typeface is a heavy, rounded sans with smooth, low-contrast strokes and broadly curved joins. Terminals are blunt and softly shaped rather than sharp, giving most letters a swollen, cushiony silhouette. Counters are generally compact and round, with sturdy bowls and a consistent, even rhythm across uppercase and lowercase. The lowercase shows single-storey forms (notably a and g) and simplified constructions, while figures are bold and geometric with wide, stable curves.
Best suited for headlines and short, high-impact lines where its rounded mass and strong presence can carry the message. It works well for branding, packaging, and signage that benefit from a friendly, contemporary voice. For longer passages, it will be most comfortable at larger sizes with ample line spacing due to the dense stroke weight and compact counters.
The overall tone is friendly and upbeat, with a casual confidence that feels inviting rather than formal. Its soft geometry and thick strokes lean toward cheerful, contemporary display use, suggesting warmth and approachability.
The design appears intended to deliver maximum visibility with a soft, approachable character, combining bold geometric foundations with rounded shaping for a contemporary, informal feel. It prioritizes immediacy and personality over delicacy, making it well aligned with display-driven typography.
Round letters like O, Q, and 8 emphasize near-circular geometry, while angled forms such as A, V, W, and Y retain a softened, chunky presence. The heavy weight creates strong color on the page, so spacing and counters read best at larger sizes where the interior shapes have room to open up.