Print Utbum 10 is a bold, narrow, medium contrast, upright, short x-height font.
Keywords: posters, packaging, children’s, branding, social graphics, playful, quirky, friendly, handmade, casual, handmade charm, casual emphasis, friendly display, quirky branding, chunky, bouncy, rounded, irregular, poster-like.
A chunky, hand-drawn print face with subtly irregular outlines and a lively, bouncing baseline. Strokes are thick and confident with gently rounded corners, occasional soft tapering, and uneven widths that read as marker or brush influence rather than geometric construction. Proportions vary noticeably from glyph to glyph, with narrow, compact counters and slightly condensed silhouettes, creating a tight, energetic rhythm. The lowercase feels compact with small bowls and short extenders, while the uppercase has a tall, sign-like presence and simplified forms; numerals follow the same quirky, hand-shaped logic.
Best suited for posters, packaging, and branding that wants a friendly handmade voice, especially in short bursts like headlines, labels, and callouts. It also fits children’s materials, crafts, and social graphics where personality and warmth matter more than strict uniformity. For long text or small sizes, the dense shapes and irregular rhythm may become tiring, so it performs strongest in display settings.
The overall tone is playful and informal, leaning into a whimsical, offbeat personality that feels human and approachable. Its uneven rhythm and charming inconsistencies give it a crafty, DIY character suited to lighthearted messages and expressive headlines.
The font appears designed to capture the spontaneity of hand lettering in an unconnected print style, prioritizing charm and character over typographic neutrality. Its condensed, chunky forms and playful irregularity suggest an intention to create bold, attention-grabbing text with a distinctly human feel.
The design relies on silhouette and texture more than fine detail, so it holds up well at display sizes where the hand-cut wobble and varying widths become an intentional feature. Spacing appears intentionally loose and uneven in places, reinforcing the casual, handwritten cadence.