Sans Superellipse Tinih 2 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Bebas Neue Pro' by Dharma Type and 'MVB Diazo' by MVB (names referenced only for comparison).
Keywords: posters, headlines, packaging, merch, stickers, rugged, industrial, playful, punchy, vintage, impact, distressed print, compact display, friendly grit, retro poster, rounded corners, inked texture, irregular edges, condensed, blocky.
This typeface is built from compact, heavy strokes with rounded-rectangle construction and softened corners. The letterforms are condensed with tight internal counters, producing a dense, poster-like color on the page. Stroke edges are intentionally uneven and slightly wavy, creating a distressed, ink-stamped texture rather than a crisp geometric finish. Curves (C, O, S, 0) read as squarish rounds, while verticals stay sturdy and dominant; terminals are blunt and consistently weighty across caps, lowercase, and numerals.
Best used for short, high-impact text such as headlines, poster typography, labels, packaging, and merchandise graphics where the rough texture can be appreciated. It also fits branding elements that want a stamped or printed feel. For longer passages, larger sizes and generous line spacing will help preserve clarity.
The overall tone feels bold and assertive with a roughened, handmade edge. Its rounded geometry keeps it friendly and approachable, while the distressed texture adds grit and an industrial, screen-printed character. The result is energetic and slightly retro, suited to designs that want impact without feeling slick or corporate.
The design appears intended to deliver maximum presence in a compact footprint, combining rounded-rectangular forms with a deliberately distressed edge to evoke inked, analog production. It balances friendliness from softened geometry with toughness from heavy strokes and rough outlines, aiming for attention-grabbing display use.
Spacing appears compact and the heavy weight can cause counters to close up in smaller sizes, especially in letters like a, e, s, and numerals such as 8. The distressed perimeter is consistent across the set, giving repeated text a lively, textured rhythm. The figures are sturdy and simple, matching the blocky, rounded structure of the letters.