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Free for Commercial Use

Stencil Fiba 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'BR Firma' and 'BR Segma' by Brink, 'Nicky Sans' by Digitype Studio, 'Goga' by Narrow Type, 'TT Norms Pro' by TypeType, and 'Segment' by Typekiln (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, branding, industrial, military, utilitarian, urban, technical, stencil impact, rugged labeling, graphic texture, industrial voice, geometric, high-contrast, crisp, segmented, display.


Free for commercial use
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A heavy, geometric sans with circular bowls and straight-sided stems, built from clean, monoline strokes. The defining feature is consistent stencil segmentation: counters and joins are interrupted by vertical and horizontal breaks that create clear bridges across rounded forms (notably in C, O, S, and numerals like 0, 6, 8, 9). Terminals are blunt and squared, diagonals are sharp, and the overall rhythm is compact and punchy with strong figure/ground contrast. Letterforms favor simple construction over calligraphic modulation, yielding a crisp, engineered silhouette.

Best suited to display settings where the stencil pattern can read clearly: headlines, posters, product packaging, wayfinding, and bold branding accents. It also works well for short technical labels or interface callouts where a rugged, engineered look is desired, but is less appropriate for small body copy due to the strong segmentation and dense color.

The font conveys an industrial, no-nonsense tone—functional, rugged, and slightly tactical. Its segmented shapes evoke labeling, equipment markings, and constructed signage, giving it a modern utilitarian attitude with a bold, poster-like presence.

The design appears intended to deliver a straightforward, high-impact stencil voice with geometric construction and consistent bridges, balancing recognizability with a distinctive broken-stroke motif. Its emphasis on solidity and repetition suggests use in contexts that benefit from an industrial or equipment-marking aesthetic.

Stencil breaks are applied with a systematic logic across the set, helping maintain recognition while introducing a distinctive, patterned texture in text. The heavy weight and closed-in apertures create a dense typographic color, so spacing and size have an outsized impact on clarity in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸