Sans Superellipse Jibik 6 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Mesquin' by MuSan, and 'FTY Galactic VanGuardian' by The Fontry (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, techno, industrial, sporty, assertive, chunky, impact, modernity, strength, utility, tech feel, rounded corners, squared forms, stencil-like, compact apertures, boxy.
A heavy, block-built sans with rounded-rectangle construction and softened corners throughout. Strokes are consistently thick with minimal modulation, producing compact counters and tight apertures in letters like C, S, and e. The design leans on squared curves and superelliptical bowls, pairing straight terminals with occasional angular cuts (notably in diagonals and joins) that add a slightly engineered, stencil-adjacent feel. Spacing appears sturdy and even, emphasizing solid word shapes and strong silhouette contrast against the page.
Best suited to short, impactful text where its dense weight and rounded-square forms can carry personality—headlines, poster titles, logo wordmarks, packaging, and bold UI labels. It can work for numbering and scoreboard-style information graphics when generous size and spacing are available.
The overall tone is bold and utilitarian, with a contemporary, tech-leaning edge. Its squared-yet-rounded geometry reads as sporty and industrial, conveying strength, efficiency, and a forward-looking attitude rather than warmth or delicacy.
The letterforms appear designed to deliver maximum impact with a modern geometric voice, using rounded rectangles and compact counters to create a strong, uniform texture. The slight angular cuts and tight apertures suggest an intention toward a technical, industrial aesthetic optimized for attention-grabbing display use.
Round forms like O and 0 read as rounded rectangles with relatively small inner counters, and punctuation/diacritic shapes (as seen on i/j) are similarly squared and weighty. Numerals follow the same boxy geometry, helping the set feel cohesive in display contexts.