Outline Bery 2 is a regular weight, wide, high contrast, upright, tall x-height font.
Keywords: headlines, logos, posters, sports branding, game ui, retro arcade, techno, sporty, industrial, comic, attention grab, retro futurism, title display, branding, octagonal, chamfered, inline shadow, outlined, blocky.
A geometric, block-cap display design built from straight runs and clipped corners, giving most forms an octagonal footprint. The letterforms are drawn as open outlines with a consistent stroke and generous internal counters, and many glyphs include a small inset notch or inline cut that reads like a built-in shadow. Curves are minimized and replaced by faceted segments, producing a crisp, mechanical rhythm; joins stay square and the overall construction feels modular and stencil-like without true breaks. Spacing and widths vary by character, but the set maintains a steady baseline, strong cap presence, and clear, angular silhouettes across upper- and lowercase and numerals.
Best suited to short, high-impact settings such as headlines, event posters, logos, team marks, and game or tech UI titles where the outlined construction can stand out. It also works well for numbers on jerseys, scoreboards, or packaging callouts. At very small sizes the outline-and-inline details may lose clarity, so it benefits from moderate-to-large display sizing.
The faceted outlines and embedded shadow detail evoke arcade-era title screens, sports numbering, and techno signage. Its tone is energetic and bold, with a slightly playful, comic edge that keeps the geometry from feeling purely utilitarian. The overall impression is futuristic-retro: crisp, loud, and attention-seeking.
The design appears intended to deliver a distinctive, angular display voice by combining an outline skeleton with chamfered geometry and a consistent inline shadow cue. The goal reads as maximum visual character and instant recognizability for branding and titles rather than neutral text setting.
The inline cut/shadow detail tends to sit along the lower-left of many shapes, creating a consistent directional highlight/shade effect. Lowercase forms largely echo the uppercase construction, keeping the system cohesive and emphasizing a display-first personality.