Sans Normal Biley 22 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Preto Sans' and 'Preto Sans OT Std' by DizajnDesign, 'Foro Sans' and 'Qubo' by Hoftype, 'Bega' by Indian Type Foundry, and 'Core Gothic N' by S-Core (names referenced only for comparison).
Keywords: ui text, body copy, branding, signage, presentations, neutral, modern, clean, friendly, pragmatic, everyday legibility, neutral branding, system clarity, modern utility, clean minimalism, rounded, open apertures, large counters, uniform strokes, soft terminals.
A rounded, geometric-leaning sans with uniform stroke weight and smoothly finished curves. Uppercase forms are broad and steady, with generous counters (notably in O, D, P, and R) and open apertures in letters like C and S that keep shapes from feeling cramped. Lowercase maintains a straightforward construction with a double-storey a, single-storey g, and a compact, readable e; dots on i and j are clean and round. Numerals are simple and highly legible, with a clear 0/8/9 structure and a straight, utilitarian 1.
This font fits interface typography, product copy, and editorial layouts where clarity and an even texture are priorities. Its open counters and straightforward forms also suit signage, wayfinding, and corporate branding systems that need a neutral, modern voice.
The overall tone is contemporary and dependable, with a mild friendliness coming from its rounded geometry and open interior spaces. It reads as professional and unobtrusive rather than expressive, making it suitable when you want typography to support content without drawing attention to itself.
The design appears intended to deliver a versatile, all-purpose sans with a geometric underpinning and softened curves for comfortable reading. It prioritizes consistency and legibility across mixed-case text and numerals, aiming for a broadly useful, contemporary default type choice.
Spacing looks even and rhythmically consistent in the text sample, helping paragraphs hold together at larger display sizes. Diagonals (V, W, X, Y) feel crisp while remaining visually balanced against the round letters, and the uppercase set has a steady, signage-like clarity.