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Free for Commercial Use

Calligraphic Pyka 12 is a light, very narrow, high contrast, upright, very short x-height font.

Keywords: invitations, headlines, branding, packaging, book covers, elegant, whimsical, vintage, storybook, ornate, formal charm, decorative display, hand-lettered feel, romantic tone, vintage flavor, flourished, swashy, delicate, spidery, looped.


Free for commercial use
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This typeface presents a slender, calligraphic construction with crisp thick–thin modulation and smooth, tapered terminals. Letterforms are largely unconnected yet feel written, with long ascenders/descenders and frequent entry/exit strokes that curl into small hooks and loops. Capitals are especially decorative, mixing narrow stems with occasional rounded bowls and extended swashes, while lowercase forms keep a compact body with tall vertical rhythm. Numerals follow the same pen-driven logic, using thin joins and modest curls to maintain a cohesive, ornamental texture.

Best suited to display settings where its contrast and flourishes can be appreciated—wedding and event invitations, boutique branding, product packaging, and editorial headlines. It can also work for short passages in a storybook or cover context, but is most effective when used sparingly and given generous size and spacing.

The overall tone is refined and lightly theatrical, balancing formal calligraphy with playful flourishes. It reads as romantic and old-world, suggesting invitations, classic literature, and boutique craft aesthetics rather than utilitarian text.

The design appears intended to emulate formal hand lettering with a pen-nib feel while adding decorative swashes for personality. It prioritizes expressive rhythm and an ornamental silhouette over neutral readability, making it a strong choice for identity-led, decorative typography.

Spacing appears intentionally airy, letting the thin hairlines and swashes breathe; at small sizes the finest strokes may visually recede while at display sizes the contrast and curls become the main character. The design’s personality comes through most strongly in the capitals and in letters with descenders, where loops and hooks add motion to lines of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸