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Free for Commercial Use

Sans Superellipse Nyli 6 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Sans Beam' by Stawix, 'Ansage' by Sudtipos, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, children’s media, playful, chunky, friendly, retro, toy-like, impact, approachability, simplicity, display strength, retro flavor, rounded, soft, blobby, sturdy, compact.


Free for commercial use
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This typeface is built from heavy, rounded forms with a distinctly soft, superelliptical geometry. Corners and terminals are broadly radiused, giving strokes a molded, cushiony feel rather than sharp cuts. Counters are relatively small for the weight, with simple, open apertures (notably in letters like C, S, and e), and the overall rhythm is steady and compact. The lowercase shows a tall, blocky presence with short extenders and a large x-height; dots and interior shapes stay rounded and substantial, keeping the texture dense and uniform in text.

It performs best in headlines, short statements, and branding moments where a friendly, high-impact voice is needed. The rounded, sturdy forms suit packaging, posters, apparel graphics, and identity work for playful or casual products and events. For body text, it’s more appropriate in brief callouts or labels where density and boldness are desired.

The overall tone is upbeat and approachable, with a slightly retro, cartoon-adjacent warmth. Its chunky silhouettes read as confident and fun, suggesting signage, stickers, and bold retail energy rather than formal editorial restraint.

The design appears intended to deliver maximum visual impact with soft, approachable shapes. By prioritizing rounded terminals, compact counters, and simplified construction, it aims for quick recognition and a fun, robust presence in display settings.

The design maintains consistent rounding across straight and curved strokes, which helps it feel cohesive at display sizes. Because the counters are tight and the weight is high, long passages can look dark and compact, while short phrases and headlines benefit from the strong, simplified shapes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸