Sans Superellipse Wozi 4 is a light, very wide, very high contrast, italic, normal x-height font.
Keywords: logotypes, headlines, posters, gaming ui, film titles, futuristic, techy, aerodynamic, sleek, kinetic, sci‑fi styling, motion cue, tech branding, display impact, geometric construction, rounded corners, slanted, streamlined, mechanical, segmented.
A forward-leaning sans built from rounded-rectangle and superellipse forms, with long horizontal runs and compressed vertical apertures. Strokes alternate between thick, ink-trap-like slabs and hairline connectors, producing a distinctly segmented construction where many letters feel assembled from bands rather than continuous curves. Terminals are smoothly rounded on the heavy strokes, while thin entries and exits often sharpen into needle-like points, especially on diagonals. Counters tend to be narrow and slot-like, and several glyphs (including numerals) show cut-in notches and open joins that amplify the sense of speed and directionality.
Best suited to short-to-medium display settings where its split-stroke construction and directional slant can read as intentional styling—logotypes, headlines, posters, cover art, gaming/UI titling, and sci‑fi or motorsport-themed graphics. It can also work for large-format signage or packaging accents, but will generally benefit from generous sizing and spacing to preserve the delicate hairline elements.
The overall tone is sci‑fi and performance-oriented, like interfaces, racing liveries, or near-future product branding. Its sharp hairlines and slanted rhythm add urgency, while the soft superelliptical edges keep it polished rather than aggressive. The result feels engineered, synthetic, and display-first.
The design appears intended to merge superelliptical, rounded-rectangle geometry with a high-speed italic posture, using banded strokes and hairline connectors to suggest motion and advanced technology. By breaking forms into bold horizontal segments and tapering joins, it emphasizes a sleek, engineered identity over neutral text utility.
The alphabet shows pronounced stylistic variance between rounded, banded bowls (C, O, e, 0) and skeletal, hairline-driven forms (V, W, X, Y), which creates a dynamic texture in mixed text. The “X” is rendered as an hourglass-like crossing rather than conventional diagonals, and the numerals carry the same banded logic, with the “8” stacking two rounded compartments. In longer samples, the strong horizontal emphasis and intermittent hairline joins can create a flickering, scanline-like effect at smaller sizes.