Script Puguh 5 is a regular weight, narrow, high contrast, upright, short x-height font.
Keywords: branding, packaging, headlines, greeting cards, quotes, playful, handcrafted, whimsical, friendly, casual, handmade feel, friendly tone, display impact, casual elegance, brushy, bouncy, rounded, textured, expressive.
This font has a hand-drawn script look with brush-like strokes and lively, uneven rhythm. Letterforms are rounded and slightly bouncy, with frequent entry/exit strokes that suggest cursive construction, though connections vary by glyph and context. Strokes show pronounced thick–thin modulation and tapered terminals, with occasional ink-blob joins and subtle irregularities that reinforce a handmade texture. Capitals are taller and more decorative than the lowercase, while the lowercase maintains compact proportions and tight spacing that keep words cohesive in text.
It works best for short to medium-length text where personality is more important than strict neutrality—such as branding accents, packaging copy, invitations, greeting cards, social media graphics, and quote-based headlines. The energetic stroke contrast and compact lowercase make it effective for display lines, pull quotes, and product labels where a handmade feel is desired.
The overall tone feels friendly and informal, like neat marker or brush lettering used for personal notes and creative labeling. Its lively contrast and slightly quirky curves add a whimsical charm without becoming overly ornate. The result is approachable and expressive, suited to warm, human-forward messaging.
The design appears intended to mimic brush-script handwriting with a clean, catalog-friendly consistency while preserving natural variation. It aims to deliver an expressive, personable voice that stands out in display settings and adds warmth to otherwise simple layouts.
The figures and punctuation follow the same brush-pen logic, with rounded shapes and tapered ends that visually match the letterforms. Some glyphs show intentionally inconsistent stroke swell and join shapes, which adds character but can also make long passages feel more animated and less uniform than a typographic script.