Sans Normal Molun 15 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Publica Sans' by FaceType, 'Code Next' by Fontfabric, 'Passenger Sans' and 'Passenger Sans Cyrillic' by Indian Type Foundry, 'Pepi/Rudi' by Suitcase Type Foundry, and 'Genera' and 'Goldbill' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, signage, playful, chunky, friendly, retro, punchy, attention, approachability, retro feel, bold branding, graphic impact, rounded, soft-cornered, bubbly, cartoonish, compact.
A heavy, rounded sans with broad proportions and a distinctly chunky silhouette. Curves are full and bulbous, counters are small and often circular, and joins are smooth with little to no sharp detailing. Many terminals read as softly squared or subtly chamfered rather than fully round, giving the letters a cut-from-block feel while maintaining overall roundness. The texture is dense and high-impact, with simplified shapes and minimal internal whitespace that keeps words visually cohesive at display sizes.
Best suited for display typography such as posters, big headlines, branding marks, packaging callouts, and short, high-contrast signage where immediate impact matters. It also works well for playful editorial headers and event graphics, but is less ideal for long passages due to its dense interior space and strong visual weight.
The font conveys a cheerful, approachable tone with a strong retro poster sensibility. Its oversized forms and tight counters feel energetic and bold without becoming aggressive, leaning toward playful and kid-friendly rather than technical. The overall impression is attention-grabbing and upbeat, suited to expressive, informal messaging.
The design appears intended to deliver maximum visual presence through oversized, rounded forms and simplified construction. It emphasizes friendliness and immediacy, aiming for a graphic, cartoon-adjacent voice that remains clean and sans-serif in structure while feeling distinctly soft and bold.
In text, the heavy mass and small counters make it most comfortable at larger sizes, where the rounded geometry and rhythmic repetition of circular forms become clear. Numerals match the letters in weight and softness, reinforcing a consistent, poster-oriented voice across alphanumerics.