Sans Rounded Fygi 3 is a regular weight, narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, signage, retro, industrial, techno, playful, compact display, technical tone, retro futurism, modular construction, geometric, rounded, octagonal, modular, condensed.
A condensed, monoline sans with a modular, octagonal construction and consistently rounded terminals. Strokes keep an even thickness throughout, with corners frequently broken into short angled segments that create a faceted, sign-like silhouette. Counters are compact and geometric, and many joins are simplified into smooth bends rather than sharp vertices, producing a clean rhythm despite the angular framework. The overall spacing feels tight and efficient, with narrow letterforms and a steady vertical emphasis that keeps lines orderly in text.
Best suited to display applications such as headlines, posters, branding marks, packaging, and wayfinding where its condensed footprint and geometric flavor can carry a strong identity. It can work for short text blocks at larger sizes, especially in tech, gaming, or industrial-themed layouts where a structured, engineered texture is desirable.
The faceted geometry and softened ends give the face a retro-futurist, industrial tone—mechanical and technical, but not harsh. It reads as engineered and utilitarian, with a slightly playful, arcade-like personality that suits bold, graphic statements.
The design appears intended to merge a constructed, technical geometry with friendly rounded terminals, delivering a compact sans that feels both mechanical and approachable. Its consistent modular angles and even stroke weight suggest a focus on repeatable shapes for strong visual coherence across the character set.
Distinctive features include squared/angled bowls and chamfered shoulders that repeat across uppercase, lowercase, and numerals, helping the set feel cohesive. Numerals follow the same modular logic, and the design maintains clarity at display sizes where its small internal shapes and angled cuts become part of the texture.