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Sans Other Yony 4 is a bold, very narrow, medium contrast, upright, normal x-height font.

Keywords: headlines, posters, logotypes, game ui, sci‑fi ui, futuristic, techno, arcade, industrial, cyber, tech aesthetic, interface display, geometric construction, high impact, geometric, modular, stencil-like, squared, angular.


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A rigid, modular sans built from squared blocks and thin linear stems, with frequent cut-ins and internal counters that read like stenciled apertures. The forms are predominantly rectilinear with occasional diagonal joins (notably in V, W, X, and some numerals), producing a crisp, engineered silhouette. Terminals are mostly flat and abrupt, and the rhythm alternates between heavy rectangular masses and narrow connectors, creating a distinctly segmented texture in words. Counters tend to be small and rectangular, and several letters use inset “window” shapes that emphasize a constructed, mechanical logic over traditional stroke modulation.

Best suited to short, display-oriented settings where its modular construction can be appreciated—headlines, posters, album or event graphics, game menus, sci‑fi interface mockups, and branding marks that want a technological edge. It can also work for labels or section headers where a strong, encoded look is desirable, but is less appropriate for long-form reading due to its dense, segmented word shapes.

The font conveys a futuristic, device-driven tone—part sci‑fi interface, part arcade scoreboard. Its blocky geometry and deliberate gaps suggest circuitry, modular hardware, or warning labels, lending a cool, technical attitude that feels purposeful and synthetic rather than conversational.

The design appears intended to reinterpret a geometric sans through a constructed, stencil-like system: heavy rectangular components paired with narrow connectors to create a compact, high-impact texture. The repeated inset counters and cutaway joins suggest an intentional “engineered” aesthetic aimed at futuristic and digital-themed typography.

In text settings the strong black rectangles can dominate, making the overall color quite assertive and high-impact. The segmented construction introduces a stylized legibility that works best when the viewer can recognize the pattern language; spacing and the alternating thick/thin components become a key part of the font’s signature texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸