Sans Other Uhhu 4 is a very light, normal width, monoline, italic, normal x-height font.
Keywords: display, headlines, posters, ui labels, branding, tech, futuristic, schematic, sci-fi, precision, futurism, technical labeling, constructed geometry, interface styling, angular, wireframe, geometric, spiky, cornered.
A sharply constructed, angular sans with an oblique forward slant and a consistent single-stroke drawing. Stems and horizontals are built from straight segments with frequent chamfered corners and clipped terminals, producing a faceted, polygonal silhouette rather than smooth curves. Counters tend to be squarish and open, and several joins form pointed notches or narrow apertures (notably in letters like M, N, W, and X), emphasizing a technical, wireframe rhythm. Numerals and lowercase share the same geometric logic, with simplified forms and occasional diagonal cuts that reinforce the engineered look.
Best suited for display typography where its angular detailing can be appreciated—headlines, posters, game and sci‑fi branding, and interface labels. It can also work for short bursts of text in tech-themed layouts, but its spiky joins and tight interior spaces suggest keeping body copy sizes generous.
The overall tone feels futuristic and instrumental, like labeling on equipment, sci‑fi interfaces, or schematic diagrams. Its sharp angles and lean stance communicate speed, precision, and a slightly edgy, cyber/arcade energy rather than warmth or tradition.
The font appears intended to translate a geometric, CAD-like construction into a legible sans, prioritizing a futuristic aesthetic and a consistent monoline system. Its chamfered corners and wireframe forms suggest a deliberate focus on signage and interface-style readability over traditional, humanist comfort.
The design relies heavily on straight-line geometry and corner treatments, giving it a modular, constructed feel that reads best when size and spacing allow the narrow apertures and angled joints to stay distinct. The oblique slant is pronounced enough to add motion, while the minimal stroke contrast keeps texture even across longer lines.