Sans Superellipse Omduw 9 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Neuron Angled' by Corradine Fonts, 'Isotonic' by Emtype Foundry, 'Allotrope' by Kostic, 'Convection' by Microsoft Corporation, 'Metronic Pro' by Mostardesign, and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: ui labels, signage, headlines, branding, dashboards, clean, modern, technical, friendly, utilitarian, clarity, system design, modern neutrality, geometric warmth, consistency, rounded, geometric, compact, high-contrast counters, crisp terminals.
This sans uses a geometric, superelliptical construction: round characters are built from rounded-rectangle curves, and straight strokes stay firm and vertical. Stroke weight is even throughout, with softly rounded corners and mostly flat, squared terminals that keep edges crisp. Proportions feel compact with fairly wide capitals, a sturdy baseline, and open apertures in forms like C, S, and e. The numerals and uppercase share the same squared-round logic, producing a consistent rhythm and a stable, engineered texture in paragraphs.
Its even strokes and squared-round forms suit interface typography, controls, and compact labeling where clarity matters. The solid, geometric presence also works well for headlines, wayfinding, and contemporary branding systems that want a modern, engineered feel without becoming harsh.
The overall tone is contemporary and pragmatic, combining a friendly softness from rounded corners with a precise, technical discipline. It reads as confident and straightforward rather than expressive or calligraphic, making it feel at home in product-facing and information-forward design.
The design appears intended to deliver a clean, system-ready sans with softened geometry—prioritizing clarity, consistency, and a contemporary industrial aesthetic that remains approachable in continuous text.
Distinctive superellipse rounds in O/Q and the bowls of B/D/P give the face a slightly “squared” roundness compared to purely circular geometrics. Lowercase shapes lean toward simple, workmanlike forms, and the dot on i/j appears square, reinforcing the technical character.