Sans Faceted Asle 8 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Enamela' by K-Type, 'Evanston Tavern' by Kimmy Design, 'MARLIN' by Komet & Flicker, 'Truens' by Seventh Imperium, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: posters, headlines, sports branding, logos, packaging, industrial, athletic, commanding, mechanical, retro, impact, space-saving, signage, branding, ruggedness, octagonal, angular, chiseled, condensed, stencil-like.
A compact, heavy display sans built from straight strokes and clipped corners, replacing curves with chamfered, multi-angled facets. Counters are small and mostly rectangular, and joins stay crisp and orthogonal, producing an octagonal rhythm across rounds like O, C, and G. The overall width is tight with tall capitals and assertive verticals, while diagonal elements (A, V, W, X) keep a sharp, engineered feel. Numerals follow the same cut-corner logic, maintaining a uniform, blocky presence in text.
Best suited to short, high-impact settings such as posters, headlines, team or event graphics, badges, and product packaging where its angular texture can carry the composition. It can also work for logo wordmarks and titling systems that need a compact footprint with strong presence.
The faceted construction reads tough and utilitarian, evoking signage, equipment markings, and competitive or militaristic graphics. Its dense color and rigid geometry give it a no-nonsense, high-impact tone that feels both retro and industrial.
The design appears intended to deliver maximum visual punch in a condensed space by using cut-corner, planar letterforms that stay consistent across the alphabet and figures. The emphasis on crisp facets and closed shapes suggests a goal of durability and legibility in bold display contexts like signage and branding.
Lowercase forms largely echo the uppercase structure, with simplified, squared bowls and short terminals that emphasize compactness over calligraphic detail. The repeated chamfers create strong texture at display sizes, but the tight apertures and small counters make the voice most effective when set large and with generous spacing.