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Free for Commercial Use

Wacky Ubgy 8 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Shtozer' by Pepper Type (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, album covers, playful, retro, modular, funky, quirky, attention grab, pattern texture, experimental display, retro flavor, stencil-like, segmented, rounded, geometric, display.


Free for commercial use
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A chunky, geometric display face built from rounded rectangular modules and abrupt cutouts. Letterforms read as segmented and semi-stencil, with repeated vertical splits and small internal gaps that create a strong, rhythmic pattern across words. Curves are softened into pill-like corners while counters are compressed and often partially occluded, giving many glyphs a totemic, stacked appearance. Spacing and silhouette vary noticeably between characters, emphasizing a constructed, modular feel over traditional continuous strokes.

Best suited to short, high-impact settings such as posters, headlines, event graphics, packaging, and logo wordmarks where the segmented construction can be appreciated. It can also work for album/entertainment artwork and editorial openers, but is less appropriate for long body copy due to its strong internal patterning.

The overall tone is playful and eccentric, with a retro-futurist, poster-like punch. Its repeating breaks and blocky shapes lend a lively, kinetic texture that feels experimental and attention-seeking rather than formal.

The design appears intended to turn familiar Latin forms into a bold, modular graphic system, using consistent cuts and rounded blocks to create a distinctive texture. It prioritizes visual personality and pattern over conventional readability, aiming for an experimental display voice that stands out instantly.

In text settings the repeated internal slits can visually link across lines, producing a strong horizontal banding effect. Legibility holds best at larger sizes where the distinctive segmentation reads as intentional detail rather than noise, and punctuation appears heavy enough to match the surrounding texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸