Sans Faceted Urku 2 is a very bold, very wide, monoline, upright, normal x-height font visually similar to 'Missile' by Umka Type (names referenced only for comparison).
Keywords: posters, headlines, branding, gaming, signage, sci-fi, industrial, techno, futuristic, arcade, impact, futurism, precision, modularity, angular, faceted, octagonal, blocky, mechanical.
A heavy, geometric sans built from crisp planar cuts rather than curves. Counters and outer shapes resolve into squared and chamfered octagonal forms, with consistent stroke thickness and hard terminals throughout. The rhythm is compact and stable, with broad letterforms, squared bowls, and flattened arcs; interior apertures are often rectangular slits that emphasize a machined, modular feel. Lowercase follows the same engineered construction, keeping simple, boxy silhouettes and minimal contrast, while numerals echo the same cut-corner geometry for a cohesive set.
Best used for display sizes where the faceted construction and squared counters can be appreciated—titles, posters, esports and gaming UI, tech branding, and high-contrast signage. It can also work for short bursts of text in interface elements or labels, but the dense, angular texture is most effective when given room and scale.
The overall tone is futuristic and technical, evoking digital interfaces, arcade hardware, and industrial labeling. Its sharp facets and stencil-like gaps read as purposeful and machine-made, giving it a bold, assertive voice suited to high-impact messaging.
The design appears intended to translate a geometric sans into a faceted, hard-edged aesthetic, prioritizing a uniform, engineered look and strong silhouette over conventional softness. The consistent chamfers and rectangular apertures suggest a deliberate system aimed at conveying speed, technology, and industrial precision.
Distinctive details include chamfered corners on many round-derived letters, rectangular counters, and angular joins that replace traditional curves. The texture stays consistent across caps, lowercase, and figures, making the font feel like a single constructed system rather than drawn calligraphically.