Sans Other Mydeb 1 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Rhode' by Font Bureau, 'Fd Twist' by Fortunes Co, 'Bumpo' and 'Bumpo Soft' by Graphite, 'Allotrope' by Kostic, 'Primal' by Zeptonn, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids branding, stickers, playful, chunky, quirky, friendly, cartoonish, attention, fun, informality, novelty, display impact, rounded, bulbous, soft corners, irregular, bouncy.
A heavy, rounded sans with chunky, ink-trap-like notches and subtly irregular contours that give the strokes a cut-paper feel. Shapes are broadly geometric but intentionally uneven: counters are small and often teardrop-like, terminals are blunt, and many joins show carved-in bite marks rather than smooth transitions. The lowercase is compact and stout with a prominent x-height, while capitals read as blocky silhouettes with softened corners. Numerals are similarly thick and simplified, favoring bold mass and clear silhouettes over fine detail.
Best suited to short, punchy setting where its bold mass and playful quirks can be appreciated—posters, headlines, titles, product packaging, kids or entertainment branding, and attention-grabbing social graphics. It can also work for logos and badges when generous tracking or size helps preserve the small counters.
The overall tone is upbeat and mischievous, with a handmade, comedic energy. Its lumpy curves and chiseled notches evoke kids’ media, snacks-and-stickers packaging, and lighthearted display typography rather than formal branding.
The design appears intended as a characterful display sans that prioritizes friendliness and impact. By combining rounded block forms with deliberately carved-in notches and compact counters, it aims to create memorable, high-contrast silhouettes that feel informal and fun.
In text, the strong silhouette and tight interior spaces create dense, high-impact word shapes; the distinctive notches and dot-like counters become a defining texture at larger sizes. Letterforms like a, e, g, and s show especially pronounced cut-ins, reinforcing the font’s quirky rhythm and giving lines a lively, bouncing cadence.