Sans Superellipse Naly 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Bhelt' by Fateh.Lab and 'Dynamic Display' by Putracetol (names referenced only for comparison).
Keywords: posters, headlines, logotypes, packaging, event promo, playful, retro, chunky, friendly, pop, display impact, friendly tone, retro flavor, brand voice, rounded, soft corners, bulbous, compact, smooth.
A heavy, rounded sans with a superellipse construction: strokes feel carved from rounded rectangles with consistently softened corners and broad curves. Counters are compact and often vertically pinched, creating narrow interior openings that emphasize the solid, blocky silhouette. Terminals are fully rounded, joins are smooth, and the overall rhythm is dense and even, with slightly idiosyncratic widths that give the alphabet a hand-shaped, display-oriented cadence. Numerals match the same cushioned geometry, with simplified, chunky forms and tight apertures.
Best suited to large-size applications where its chunky silhouettes and rounded geometry can carry the message—posters, headlines, branding marks, packaging, and short promotional copy. It can work well for playful or retro-leaning identities, especially when paired with a simpler text face for body copy.
The tone is upbeat and characterful, mixing a 1970s/retro display feel with a contemporary, friendly softness. Its inflated shapes and tight counters read as bold, fun, and attention-grabbing rather than neutral or technical.
The design appears intended to deliver maximum impact with soft, rounded forms—combining high visual weight with a friendly, approachable texture. Its compact counters and superellipse-driven structure prioritize distinctive silhouettes and a cohesive display look over small-size readability.
Because the interior spaces run small, clarity drops quickly at smaller sizes and in long passages; the design reads best when given room to breathe. The distinctive shapes in letters like S, a, e, and g push the personality forward, making it more suitable as a voice font than a background workhorse.