Sans Superellipse Fibaj 4 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Dignus' by Eurotypo and 'Crique Grotesk' by Stawix (names referenced only for comparison).
Keywords: headlines, branding, posters, sports, signage, sporty, assertive, modern, dynamic, technical, add motion, boost impact, modernize tone, improve visibility, slanted, rounded, compact, punchy, clean.
A heavy, right-slanted sans with rounded-rectangle (superellipse) geometry and consistently softened corners. Curves are broad and smooth, while joins and terminals are clean and blunt, producing a sturdy, streamlined silhouette. Proportions lean compact with wide bowls and tight apertures; counters remain open enough to read clearly at display sizes. The lowercase shows a single-storey a and g, short-armed r, and a flat-topped t, reinforcing a contemporary, utilitarian construction. Numerals are similarly robust and rounded, with the 0 reading as a squarish oval and the 1 as a simple, angled stem.
Best suited to short, high-impact applications such as headlines, brand marks, sports and performance identities, posters, packaging callouts, and bold signage where the slant and compact curves amplify motion. In longer settings it works most effectively for emphasis, pull quotes, and subheads rather than dense body copy.
The overall tone is energetic and forward-leaning, with a sporty, performance-minded feel. Its rounded yet forceful shapes suggest speed and confidence rather than softness, giving it a contemporary, headline-driven voice.
The design appears intended to deliver a fast, modern sans voice by combining a strong italic stance with superelliptical round forms. The goal seems to be high visibility and a cohesive, aerodynamic texture that holds together under large-scale, attention-grabbing use.
The italic angle is pronounced and consistent across capitals, lowercase, and figures, creating strong directional rhythm in lines of text. Diagonal strokes (like in N, V, W, and X) feel especially taut and graphic, while rounded letters maintain a controlled, squared-off curvature that keeps the texture uniform.