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Free for Commercial Use

Sans Superellipse Penin 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Folio' by Bitstream, 'Midnight Sans' by Colophon Foundry, 'Folio EF' by Elsner+Flake, 'Folio' by Linotype, 'Kuunari Rounded' by Melvastype, 'Folio SB' by Scangraphic Digital Type Collection, 'Amsi Grotesk' by Stawix, and 'Folio' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, sports branding, industrial, condensed, punchy, modern, utilitarian, space saving, high impact, signage clarity, brand presence, display strength, blocky, rounded, compact, heavyweight, poster-like.


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A compact, heavy sans with rounded-rectangle construction and broadly squared counters. Terminals are blunt and softly radiused, producing a superelliptical feel rather than circular geometry. Strokes stay largely uniform, with tight apertures and dense internal spacing that emphasize verticality and a strong, compressed rhythm. The lowercase is sturdy and simplified, with short extenders and single‑storey forms where expected, while numerals follow the same blocky, rounded logic for a cohesive texture in headlines.

This font is well suited to short, high-impact settings such as headlines, posters, event graphics, and storefront or wayfinding signage. It can also work effectively on packaging and bold identity systems where a condensed, space-saving voice is needed. For multi-line copy, it performs best at larger sizes with added spacing to maintain clarity.

The overall tone is assertive and workmanlike, combining a contemporary, engineered look with a slightly retro signage vibe. Its tight, heavy forms convey urgency and solidity, reading as bold and direct rather than elegant or delicate.

The design appears intended to deliver maximum impact in minimal horizontal space, using rounded-rectangle forms to stay friendly at the corners while remaining dense and forceful. Its consistent, simplified construction suggests a focus on robust display typography that holds up in bold applications and large-format reproduction.

Roundness is expressed through softened corners more than through fully rounded bowls, which keeps shapes crisp and compact. In longer lines, the dense letterfit and narrow proportions create a dark, continuous typographic color that benefits from generous tracking and line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸