Sans Superellipse Akso 6 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Kardust' by ARToni, 'Cybersport' by Anton Kokoshka, 'Tradesman' by Grype, and 'Plexes Pro' by Monotype (names referenced only for comparison).
Keywords: ui labels, signage, headlines, posters, branding, techy, futuristic, industrial, utilitarian, clean, modernization, system design, clarity, tech aesthetic, durability, rounded corners, squared bowls, open apertures, stencil-like, geometric.
A geometric sans built from rounded-rectangle and superellipse-like forms, with consistent stroke thickness and crisp, squared terminals softened by rounded corners. Curves resolve into boxy bowls and corners rather than true circles, giving letters a compact, engineered silhouette. Counters are generally rectangular and fairly open, and many joins and diagonals are handled with straight, angular cuts that keep the rhythm tight and mechanical. Spacing in text reads even and sturdy, with a slightly condensed feel in some shapes due to the squared bowls and narrow interior counters.
Best suited for interface typography, product labeling, and environmental or wayfinding applications where clear, robust letterforms are needed. It also works well for short headlines, posters, and tech-oriented branding where a geometric, squared-rounded voice can carry the message without ornament.
The overall tone is modern and techno-forward, evoking interfaces, instrumentation, and industrial labeling. Its squared curves and controlled geometry suggest precision and efficiency rather than warmth, making it feel confident, functional, and slightly sci‑fi.
The design appears intended to deliver a clear, contemporary sans with a distinctive rounded-rect geometry that reads as technical and modern. It prioritizes uniformity, repeatable shapes, and strong silhouettes to create a consistent, system-like typographic texture.
Distinctive details include a single-storey lowercase “a,” a tall, narrow “j” with a simple dot, and a “Q” that uses a small, angular tail. Numerals follow the same rounded-rectangle logic, with the “0” reading as a squared oval and the “8” formed from stacked rounded counters. The shapes stay consistent across uppercase, lowercase, and figures, reinforcing a cohesive systemized look.