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Free for Commercial Use

Sans Other Kyre 2 is a very bold, narrow, low contrast, reverse italic, short x-height font.

Keywords: posters, headlines, packaging, event flyers, children’s titles, quirky, playful, hand-cut, cartoon, offbeat, expressiveness, handmade feel, attention grabbing, display impact, angular, jagged, chunky, tilted, irregular.


Free for commercial use
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This typeface uses chunky, heavy strokes built from angular, slightly warped shapes, giving each letter a cut-paper or hand-carved silhouette. The overall rhythm is lively and uneven, with subtle tilt and wobble in stems and bowls, and irregular counters that feel intentionally roughened. Terminals are blunt and often faceted rather than smoothly rounded, creating a jittery texture across words. Uppercase forms are compact and emphatic, while lowercase stays small and simplified, with single-storey constructions and a generally condensed, upright-but-askew presence.

Best suited to display work such as posters, headlines, cover titles, and short bursts of copy where personality is the priority. It can work well for playful packaging, seasonal promotions, party invitations, and quirky branding accents. For extended reading or small UI sizes, it’s better as a sparing accent due to its intentionally uneven, high-impact texture.

The tone is mischievous and expressive, leaning toward comic, Halloween-adjacent, or DIY poster energy rather than neutral text setting. Its irregular geometry and bouncy spacing suggest spontaneity and humor, making it feel informal and attention-grabbing. The overall impression is bold and cheeky, with a slightly eerie, hand-made edge.

The design intent appears to be an expressive, hand-made display sans that prioritizes character over typographic neutrality. Its faceted, irregular outlines and slightly tilted construction aim to create a bold, animated voice reminiscent of cutout lettering and cartoon title cards.

The numerals share the same faceted, cutout logic and read best at larger sizes where the intentional roughness becomes a feature rather than noise. Word shapes form a strong, dark texture, so generous tracking and line spacing can help maintain clarity in longer phrases.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸