Sans Superellipse Asbif 7 is a very light, narrow, monoline, upright, normal x-height font.
Keywords: ui design, editorial, branding, packaging, wayfinding, clean, airy, modern, technical, refined, modern clarity, geometric softness, systematic design, light elegance, minimal, geometric, rounded, open apertures, high legibility.
This typeface uses extremely fine, monoline strokes with a restrained, geometric construction. Curves are built from rounded, superellipse-like forms, giving bowls and counters a softly squared roundness rather than pure circles. Terminals are clean and largely unembellished, with smooth joins and consistent stroke behavior across straight and curved segments. Proportions are compact and vertical, with generous interior space in letters like O, D, and e, and clear, open apertures that keep the texture light and uncluttered in text.
It suits interfaces, dashboards, and other screen-forward applications where a light, clean voice is desired, as well as modern editorial layouts that benefit from an airy text color. It can also work for contemporary branding and packaging, particularly when used at comfortable sizes to preserve the delicate stroke weight, and for signage systems in controlled lighting and printing conditions.
The overall tone is crisp and understated, with a cool, contemporary feel. Its thin strokes and rounded geometry read as precise and elegant, leaning toward a quiet, tech-forward modernism rather than expressive or playful styling.
The design appears intended to deliver a minimal, modern sans with softened geometry—combining precision and friendliness through rounded-rectangle curves and a consistent monoline skeleton. Its emphasis on clarity and an even, quiet rhythm suggests a focus on contemporary communication rather than decorative display.
Round letters maintain a slightly squarish curvature that keeps the rhythm even and grid-friendly, while diagonals (A, V, W, X) stay sharp and controlled. Numerals follow the same minimal logic, with simple, open shapes that match the letters without calling attention to themselves.