Sans Superellipse Edraj 3 is a light, normal width, low contrast, italic, normal x-height font visually similar to 'Akko' and 'Akko Paneuropean' by Linotype and 'Paradroid' by The Northern Block (names referenced only for comparison).
Keywords: ui text, product design, dashboards, branding, packaging, clean, modern, technical, approachable, efficient, clarity, modernity, softened geometry, systematic consistency, efficient emphasis, rounded corners, humanist, soft geometry, open apertures, monoline.
This typeface is a slanted, monoline sans with rounded-rectangle construction and consistently softened corners. Curves read as superelliptical rather than purely circular, giving bowls and counters a squarer, engineered feel while staying friendly. Strokes maintain even thickness with minimal modulation, and joins are smooth and controlled. Proportions are fairly compact with clear, open apertures; terminals are blunt and gently rounded, supporting a tidy, contemporary rhythm in both uppercase and lowercase.
It suits interface typography, product and industrial design contexts, and clean editorial callouts where an italic voice is needed without becoming decorative. The controlled geometry and open forms also make it a good fit for technical documentation, dashboards, and contemporary brand systems that want softness without losing precision.
The overall tone feels modern and pragmatic, with a slightly technical, UI-adjacent calm. The rounded geometry keeps it approachable and less severe than a purely straight-edged grotesk, while the consistent slant adds a sense of motion and efficiency.
The design appears intended to merge geometric, rounded-rectangle forms with everyday legibility, offering a streamlined italic that feels engineered yet approachable. It aims for consistency and clarity across letters and numerals, with a distinctive superelliptical flavor that differentiates it from more purely circular geometric sans italics.
Figures follow the same rounded, uniform-stroke logic, with simple, readable forms and minimal ornamentation. The italic angle is steady across the set, and the letterforms prioritize clarity over expressive calligraphic features.