Stencil Olmo 3 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'Periodico' by Emtype Foundry; 'Chamberí' by Extratype; and 'Acta Deck', 'Acta Pro', and 'Prumo Text' by Monotype (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, logos, industrial, authoritative, vintage, dramatic, rugged, template lettering, impact display, industrial branding, retro signage, slab serif, bracketed, ink-trap feel, engraved, poster-ready.
A heavy, slab-serif stencil with pronounced vertical stress and crisp, high-contrast joins. Stencil breaks are consistently placed in key strokes and bowls, creating solid bridges that read clearly at display sizes. The forms lean on broad, blocky proportions with bracketed slab terminals and compact internal counters, giving the alphabet a dense, carved-in silhouette. Round letters show deep, scooped cut-ins and tightly controlled apertures, while diagonals and joins keep a firm, engineered rhythm.
Best suited to headlines, posters, and branding where the stencil structure is a feature rather than a distraction. It works well for packaging, labels, and signage that wants an industrial or workshop-inspired voice, and it can anchor logo wordmarks when set with generous size and breathing room.
The overall tone is bold and industrial, with a heritage signage feel. The stencil interruptions add a utilitarian, fabricated character, while the chunky slabs and sharp cutaways push a dramatic, poster-like presence. It reads as confident and slightly retro, suited to statements that want to feel stamped, issued, or built.
The design appears intended to merge a classic slab-serif display skeleton with practical stencil construction, producing a strong, reproducible look that suggests cut lettering or painted templates. The consistent bridges and compact counters prioritize impact and recognizability over small-size readability.
Spacing appears tuned for display: the dark color and small counters create strong word shapes, but fine interior openings can close up as sizes drop. Numerals and capitals carry the same bridged logic, maintaining a uniform, mechanically consistent texture across mixed-case settings.