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Cursive Erloh 13 is a very light, narrow, high contrast, italic, very short x-height font.

Keywords: wedding stationery, invitations, branding, beauty packaging, editorial display, elegant, romantic, airy, refined, whimsical, formal elegance, handwritten charm, decorative capitals, signature look, calligraphic, flourished, looping, delicate, swashy.


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A delicate, calligraphic script with extremely thin hairlines, sharp contrast, and a consistent rightward slant. Letterforms are built from long, tapering entry and exit strokes with frequent loops and extended terminals, giving the line a floating, ribbon-like rhythm. Capitals are notably ornate with generous swashes and occasional baseline-reaching strokes, while the lowercase is compact with small bowls and restrained counters, creating a pronounced size contrast between cases. Numerals echo the same light stroke weight and cursive construction, with open curves and understated finishing flicks.

Best suited to short display settings where its fine hairlines and swashed capitals can remain clear, such as wedding suites, formal invitations, monograms, boutique branding, and luxury or beauty packaging. It can work for headlines and pull quotes when set large with ample tracking, but is less appropriate for long text or small sizes where the thin strokes and compact lowercase details may fade.

The font conveys a graceful, romantic tone with a poised, formal-leaning charm. Its airy strokes and sweeping capitals feel ceremonial and expressive, suggesting handwritten sophistication rather than everyday utility. The overall impression is polished and feminine-leaning in mood, with a touch of playful flourish.

Likely designed to emulate refined pointed-pen handwriting, prioritizing graceful movement, dramatic capitals, and an impression of bespoke personalization. The design intent appears focused on elevated, occasion-driven typography with a light touch and ample flourish for emphasis and signature-like styling.

Spacing appears to rely on flowing joins and long terminals, so texture varies depending on letter combinations; some connections read as continuous while others break into airy, separated strokes. The most prominent visual feature is the contrast between highly decorative capitals and comparatively minimal lowercase, which can shift emphasis strongly toward initial letters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸