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Free for Commercial Use

Solid Rybu 2 is a very bold, wide, medium contrast, italic, tall x-height font.

Keywords: headlines, posters, logos, branding, packaging, futuristic, playful, edgy, sporty, techy, impact, motion, stylization, logo focus, geometric expression, angular, geometric, chunky, high-impact, stylized.


Free for commercial use
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This typeface is built from chunky, geometric forms with a pronounced right-leaning slant and a strongly sculpted silhouette. Many glyphs combine circular segments with sharp triangular cuts, producing faceted counters and wedge-like terminals rather than traditional bowls and apertures. The strokes feel more like assembled shapes than continuous pen logic, with frequent diagonals and clipped corners that create a dynamic, forward-tilting rhythm. Spacing and widths vary noticeably across letters, and the dense, mostly closed interior spaces keep the word shapes compact and heavy on the page.

Best suited to display settings such as headlines, event posters, title cards, and brand marks where its angular geometry and heavy, solid forms can be appreciated. It can work well for tech, gaming, sports, or music-adjacent branding, as well as packaging and short emphatic statements. For longer text, it will be most effective when used sparingly with generous size and spacing.

The overall tone is bold and synthetic, mixing retro-futurist geometry with a playful, almost arcade-like attitude. The sharp cut-ins and wedge terminals add an aggressive edge, while the rounded segments keep it friendly enough for entertainment and lifestyle contexts. It reads as energetic and kinetic, emphasizing motion and impact over neutrality.

The design appears intended to create maximum visual impact through simplified, solid letterforms and dramatic geometric cutaways. By prioritizing silhouette, slant, and shape rhythm over open counters, it aims to deliver a distinctive, logo-ready personality that feels fast, modern, and stylized.

Legibility is strongest at larger sizes where the distinctive cuts and collapsed openings read as intentional styling; at small sizes the dense interiors and abbreviated apertures can reduce character differentiation. The numerals follow the same faceted, cut-out logic, and the punctuation shown (e.g., exclamation) matches the heavy, solid construction, supporting consistent display use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸