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Free for Commercial Use

Slab Weird Byne 7 is a regular weight, narrow, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, packaging, album covers, avant-garde, experimental, art deco, editorial, futuristic, display impact, stylized branding, retro-futurism, graphic texture, stencil-like, modular, segmented, geometric, high-drama.


Free for commercial use
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This typeface combines narrow, upright proportions with extreme thick–thin contrast and slab-like terminals that read as bold horizontal “bands.” Many glyphs are constructed from chunky, rounded-rectangle counters and segmented strokes, with thin hairline stems or spurs that act like delicate connectors. Curves tend to be squared-off and modular rather than fully calligraphic, and the overall rhythm alternates between heavy blocks and fine lines, producing a distinctly engineered, cut-and-assembled texture. Capitals feel display-forward and slightly condensed; lowercase forms echo the same banded construction, keeping a consistent, systemized geometry across the set.

Best suited for large-scale applications such as headlines, posters, campaign graphics, packaging, and logo/wordmark work where its banded slabs and hairline details can be appreciated. It can add a distinctive voice to editorial display typography and cultural branding, particularly where a futuristic–retro or art-driven aesthetic is desired.

The tone is strikingly unconventional and theatrical, mixing vintage showcard/Art Deco energy with a contemporary, experimental edge. The pronounced banding and hairline accents create a sense of tension and spectacle—confident, graphic, and slightly surreal—well suited to attention-grabbing typography rather than neutral reading.

The design appears intended as a display face that rethinks slab-serif structure through modular, segmented forms. By juxtaposing heavy horizontal bands with minimal hairline supports, it aims to create a memorable, graphic silhouette and a strong, stylized texture in both uppercase and mixed-case settings.

In text, the segmented construction creates strong horizontal emphasis and noticeable word-shape patterning, especially where repeated bowls and bars stack up (e, o, s, 3, 8, 9). The design’s sharp contrast and fine connectors suggest it will reward generous sizes and spacing where details can remain clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸