Sans Superellipse Liho 8 is a bold, wide, monoline, upright, normal x-height, monospaced font visually similar to 'Expedition' by Aerotype (names referenced only for comparison).
Keywords: ui labels, app branding, headlines, posters, packaging, tech, futuristic, modular, friendly, playful, systematic, digital feel, approachable tech, geometric clarity, rounded, squared, soft corners, geometric, uniform strokes.
A rounded-rectangle sans built from soft superelliptic geometry and uniform stroke widths. Corners are generously radiused and terminals are clean and blunt, creating a smooth, molded feel rather than sharp or calligraphic contrast. Curves and counters tend toward rectangular bowls and squared apertures, with consistent spacing and a grid-like rhythm that stays stable across caps, lowercase, and numerals. The overall texture is sturdy and highly regular, with distinctive, simplified joins and straight-sided forms that keep letters compact and modular-looking.
Well-suited to UI labeling, dashboards, and product surfaces where a stable, geometric rhythm is desirable, as well as for tech branding and short headlines that benefit from strong, rounded silhouettes. It also works effectively in posters and packaging where a contemporary, modular voice can carry across both text and numeric information.
The font reads as contemporary and tech-forward, with a friendly softness from its rounded corners. Its modular construction and steady rhythm give it a digital, interface-like tone, while the simplified shapes add a playful, retro-futurist flavor. Overall it balances machine precision with approachable warmth.
The design appears intended to deliver a consistent, systemized look built from rounded-rectangular primitives, prioritizing uniformity and a modern digital personality. Its softened corners and simplified constructions suggest an aim to feel both futuristic and approachable, maintaining a cohesive texture across letters and figures.
Distinctive squared counters and rounded shoulders create strong silhouette differentiation at larger sizes, and the numerals follow the same softened-rectilinear logic for a cohesive alphanumeric set. The punctuation and dots appear heavy and geometric, matching the font’s overall blocky rounding and reinforcing its structured, systematic feel.