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Stencil Isfi 2 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'FS Hackney' by Fontsmith, 'Galvani' by Hoftype, 'Creata' by Ivan Petrov, 'Cedora' by Lafontype, 'Global' by Monotype, 'Sans Beam' by Stawix, and 'Nuno' by Type.p (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, labels, industrial, authoritative, utilitarian, military, mechanical, high impact, industrial marking, display branding, tactical styling, graphic texture, blocky, geometric, stenciled, high-impact, poster-ready.


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A heavy, block-built sans with geometric construction and prominent stencil breaks that interrupt bowls and strokes with clean, vertical bridges. Counters are compact and apertures are mostly closed, creating a dense, high-ink silhouette with crisp, squared terminals and minimal curvature. Proportions read on the broad side with sturdy capitals and similarly weighty lowercase, while numerals follow the same segmented, cut-through logic for consistent texture in lines of copy.

Works best for large-scale typography such as posters, headlines, signage, and packaging where the stencil cuts become a defining graphic element. It also fits labeling and wayfinding-style applications that benefit from an industrial, marked-on-surface aesthetic. For longer passages, it’s most effective when set with generous size and spacing to keep the dense shapes from feeling heavy.

The font conveys a rugged, no-nonsense tone associated with industrial labeling and equipment markings. Its cut segments add a tactical, engineered feel that reads as controlled and functional rather than playful. The overall voice is commanding and practical, suited to messaging that needs to feel tough and direct.

The design appears intended to deliver a robust, stencil-marked look for high-impact display settings, pairing solid geometric forms with deliberate breaks for a fabricated, industrial character. The consistent segmentation across letters and figures suggests a focus on cohesive texture and recognizability in bold applications.

Stencil gaps are applied systematically across curved letters and round numerals (notably C/G/O/Q and 0/6/8/9), producing a distinctive rhythm of vertical interruptions. In text, the dense letterforms and compact counters create strong word shapes, with the breaks providing separation and preventing the forms from collapsing into solid blocks at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸