Script Todim 4 is a light, very narrow, high contrast, italic, very short x-height font.
Keywords: invitations, wedding, branding, packaging, headlines, elegant, romantic, refined, vintage, graceful, formality, ornament, signature feel, classic script, display elegance, looping, calligraphic, delicate, swashy, monoline feel.
A formal, calligraphic script with a consistent rightward slant and slender, high-contrast strokes. Letterforms are built from smooth oval curves and tapered terminals, with frequent entry/exit strokes that create a flowing baseline rhythm. Capitals are more expressive, featuring extended loops and occasional swashes, while lowercase forms stay compact with a notably small x-height and tall ascenders/descenders. Spacing is naturally variable, giving the text an airy, handwritten cadence; numerals follow the same angled, tapered construction with simple, elegant contours.
Well suited to wedding suites, event stationery, and other formal invitations where elegance is the priority. It can also work nicely for boutique branding, beauty and lifestyle packaging, and short editorial headlines or pull quotes. For best results, use it at display sizes and avoid dense, small UI settings where the fine strokes may lose clarity.
The overall tone is polished and graceful, with a soft, romantic character reminiscent of classic invitations and personal correspondence. Its delicate contrast and looping forms feel formal yet friendly, projecting a poised, boutique sensibility rather than a bold or casual voice.
Designed to emulate refined pen script with controlled contrast and decorative capitals, balancing readable cursive forms with a distinctly formal, ornamental finish. The structure suggests an emphasis on graceful rhythm and stylish flourishes for prominent, expressive typography.
The font relies on fine hairlines and narrow counters, so its details read best when given sufficient size and breathing room. Long ascenders, descenders, and swashy caps add drama in headings, while the compact lowercase can appear more ornamental than utilitarian in extended passages.