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Free for Commercial Use

Distressed Buko 5 is a bold, narrow, high contrast, italic, normal x-height font visually similar to 'Neusa Neu' by Inhouse Type, 'Monton' by Larin Type Co, 'Brainy Variable Sans' by Maculinc, 'Otoiwo Grotesk' by Pepper Type, and 'Nuber Next' by The Northern Block (names referenced only for comparison).

Keywords: posters, headlines, packaging, apparel, signage, gritty, punchy, energetic, vintage, streetwise, add grit, create urgency, retro impact, handmade feel, display punch, roughened, slanted, condensed, brushy, textured.


Free for commercial use
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A slanted, condensed sans with heavy strokes and sharpened terminals, shaped by a brush-like, slightly calligraphic construction. Edges show deliberate wear and rough printing artifacts, creating small chips and uneven contours that break up the silhouettes. Counters are relatively compact and the overall rhythm is forward-leaning and tightly spaced, with simplified, blocky forms in capitals and more rounded, compact bowls in lowercase. Numerals match the same rugged texture and sloped stance, keeping a cohesive, poster-ready color.

Best suited for short, high-impact settings such as posters, headlines, logo lockups, packaging fronts, apparel graphics, and bold signage where the distressed texture can do expressive work. It can also support subheads or pull quotes when paired with a cleaner companion for body text, especially in themes needing a rugged, energetic voice.

The tone is assertive and weathered, suggesting urgency and motion with a raw, hands-on feel. Its distressed texture reads as lived-in and analog, evoking stamped, screenprinted, or worn signage aesthetics rather than polished digital precision.

The design appears intended to deliver a forceful italic voice with an intentionally worn surface, combining condensed display proportions with a brush-driven, rough-printed texture. It aims to feel immediate and physical—like ink dragged fast across paper or type impressed and weathered over time.

The texture is consistent enough to function as a stylistic layer across words, but the chipped details become more prominent at larger sizes where the irregularities read as intentional character. The strong diagonals and tight proportions amplify impact, while the rough edges add grit and visual noise.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸