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Outline Roja 2 is a very light, normal width, low contrast, italic, normal x-height font.

Keywords: headlines, posters, branding, packaging, motion graphics, sleek, technical, retro-futurist, airy, precise, display impact, speed cue, modern styling, graphic layering, lightweight presence, monoline, outlined, slanted, geometric, clean.


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A monoline outline design with a consistent, single contour that traces each letterform, producing an open, airy silhouette. The forms lean in an italic stance with smooth, rounded corners and simplified geometry; bowls are broadly circular and joins are clean with minimal modulation. Capitals are straightforward and slightly squarish in their construction, while lowercase maintains a compact, contemporary rhythm with single-storey shapes and restrained terminals. Numerals follow the same outlined logic, with clear, rounded counters and uniform stroke behavior.

Works best for display settings such as headlines, poster typography, logos, packaging accents, and UI/tech-themed hero text where the outlined construction can breathe. It’s also well-suited to motion graphics and title cards, where the slant and open counters can create a sense of speed and clarity at scale.

The overall tone feels sleek and engineered, with a light, diagram-like presence that reads as modern and slightly retro-futurist. Its italic slant adds motion and a sense of speed, while the hollow construction keeps the color quiet and refined. The result is crisp and stylized rather than textlike or traditional.

The design appears intended as a lightweight, contemporary display face that communicates speed and precision through an italic stance and streamlined geometry. By relying on an outline instead of filled strokes, it aims to deliver a distinctive, modern look with minimal visual mass—ideal for layering, color treatments, or effects in graphic layouts.

Because only the contour carries the letterform, spacing and line breaks have an especially noticeable effect on color; the font tends to look more confident at larger sizes and with generous tracking. Curved letters (C, G, O, Q) and rounded numerals emphasize the design’s smooth, continuous outline, while diagonals (A, V, W, X, Y) reinforce the forward-leaning momentum.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸